The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
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Holotype skull shown from above (A), the right side (B), and below (C)
Xixiasaurus (/ˌʃiːʃiəˈsɔːrəs/) is a genus of troodontiddinosaur that lived during the Late CretaceousPeriod in what is now China. The only known specimen was discovered in Xixia County, Henan Province, in central China, and became the holotype of the new genus and speciesXixiasaurus henanensis in 2010. The names refer to the areas of discovery, and can be translated as "Henan Xixia lizard". The specimen consists of an almost complete skull (except for the hindmost portion), part of the lower jaw, and teeth, as well as a partial right forelimb.
Xixiasaurus is estimated to have been 1.5 metres (5 ft) long and to have weighed 8 kilograms (18 lb). As a troodontid, it would have been bird-like and lightly built, with grasping hands and an enlarged sickle-shaped claw on the second toe. Its skull was long, with a long, low snout that formed a tapering U-shape when seen from below. The frontal bone of the forehead was dome-like in side view, which indicates it had an enlarged braincase. It differed from other troodontids in that the front of the dentary bone of the lower jaw was down-turned. Unlike in most troodontids, the teeth of Xixiasaurus did not have serrations; instead, their carinae (front and back edges) were smooth and sharp. It was distinct among troodontids in having 22 teeth in each maxilla (in other genera the maxillary tooth count was either higher or lower). (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him opportunities to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers; and his impact in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
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A cannon is a large-caliber gun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon. The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed.
The earliest known depiction of cannons may have appeared in Song dynasty China as early as the 12th century; however, solid archaeological and documentary evidence of cannons do not appear until the 13th century. In 1288, Yuan dynasty troops are recorded to have used hand cannons in combat, and the earliest extant cannon bearing a date of production comes from the same period. By the end of the 14th century, cannons were widespread throughout Eurasia. (Full article...)
Lactarius indigo, commonly known as the indigo milk cap, indigo milky, indigo lactarius, blue lactarius, or blue milk mushroom, is a species of agaric fungus in the family Russulaceae.
The fruit body color ranges from dark blue in fresh specimens to pale blue-gray in older ones. The milk, or latex, that oozes when the mushroom tissue is cut or broken (a feature common to all members of the genus Lactarius) is also indigo blue, but slowly turns green upon exposure to air. The cap has a diameter of 4–15 cm (2–6 in), and the stem is 2–8 cm (3⁄4–3+1⁄8 in) tall and 1–2.5 cm (3⁄8–1 in) thick. (Full article...)
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Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng; died late 1121) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
The Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755–763) led to devastation and the decline of central authority during the latter half of the dynasty. Like the previous Sui dynasty, the Tang maintained a civil-service system by recruiting scholar-officials through standardised examinations and recommendations to office. The rise of regional military governors known as jiedushi during the 9th century undermined this civil order. The dynasty and central government went into decline by the latter half of the 9th century; agrarian rebellions resulted in mass population loss and displacement, widespread poverty, and further government dysfunction that ultimately ended the dynasty in 907. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
Between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties, there were (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
Buddha Jumps Over the Wall, also known as Buddha's Temptation or Fotiaoqiang (Chinese: 佛跳牆; pinyin: fótiàoqiáng; Pe̍h-ōe-jī: hu̍t-thiàu-chhiûⁿ), is a variety of shark fin soup in Fujian cuisine. This dish has been regarded as a Chinesedelicacy known for its rich taste, and special manner of cooking. The dish's name is an allusion to the dish's ability to entice the vegetarian Buddhist monks from their temples to partake in the meat-based dish, and implies that even the strictly vegetarian Gautama Buddha would try to jump over a wall to sample it. It is high in protein and calcium. It is one of China's state banquet dishes.
Concerns over the sustainability and welfare of sharks limited its consumption and led to various modified versions without the usage of shark fin as ingredient. (Full article...)
Rome's Sacred Congregation for the Propagation of the Faith sided with the Dominicans in 1645 by condemning the Chinese rites based on their brief. The same congregation sided with the Jesuits in 1656, thereby lifting the ban. It was one of the many disputes between the Jesuits and the Dominicans in China and elsewhere in Asia, including Japan and India. The conflict between the Jesuits and their opponents took on a historical dimension, with the former insisting that Europeans and the Chinese had a shared history, which was taken to legitimise the Jesuit "accommodation" of Chinese rites and names for the Christian God. (Full article...)
19th-century illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
"The Painted Skin" (Chinese: 畫皮; pinyin: Huàpí) is a short story by the Chinese writer Pu Songling collected in Strange Tales from a Chinese Studio in 1740. Literary critics have recognised it as one of the best and best-known entries in Strange Tales; in particular, its textual detail and in-depth characterisation are lauded. "The Painted Skin" has also received numerous adaptations in popular media, especially in film. The story's original title has become a common phrase in Chinese vocabulary, "a synonym for duplicity that wears an outwardly human face but is inwardly demonic".
Set in Shandong, the story revolves around a Chinese scholar, Wang, who becomes infatuated with a demon disguised as a beautiful young maiden. They develop a romantic relationship which goes awry after Wang discovers her true identity. Thereafter, a Taoist priest's skills are put to the task of exorcising the demon; a fight between good and evil ensues. (Full article...)
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Buddha image with scenes of stories in which he repaid his parents. Mount Baoding Buddhist Sculptures, Dazu, China. Filial piety has been an important aspect of Buddhist ethics since early Buddhism, and was essential in the apologetics and texts of Chinese Buddhism. In the Early Buddhist Texts such as the Nikāyas and Āgamas, filial piety is prescribed and practiced in three ways: to repay the gratitude toward one's parents; as a good karma or merit; and as a way to contribute to and sustain the social order. In Buddhist scriptures, narratives are given of the Buddha and his disciples practicing filial piety toward their parents, based on the qualities of gratitude and reciprocity. Initially, scholars of Buddhism like Kenneth Ch'en saw Buddhist teachings on filial piety as a distinct feature of Chinese Buddhism. Later scholarship, led by people such as John Strong and Gregory Schopen, has come to believe that filial piety was part of Buddhist doctrine since early times. Strong and Schopen have provided epigraphical and textual evidence to show that early Buddhist laypeople, monks and nuns often displayed strong devotion to their parents, concluding that filial piety was already an important part of the devotional life of early Buddhists.
When Buddhism was introduced in China, it had no organized celibacy. Confucianism emphasized filial piety to parents and loyalty to the emperor, and Buddhist monastic life was seen to go against its tenets. In the 3rd–5th century, as criticism of Buddhism increased, Buddhist monastics and lay authors responded by writing about and translating Buddhist doctrines and narratives that supported filiality, comparing them to Confucianism and thereby defending Buddhism and its value in society. The Mouzi Lihuolun referred to Confucian and Daoist classics, as well as historical precedents to respond to critics of Buddhism. The Mouzi stated that while on the surface the Buddhist monk seems to reject and abandon his parents, he is actually aiding his parents as well as himself on the path towards enlightenment. Sun Chuo (c.300–380) further argued that monks were working to ensure the salvation of all people and making their family proud by doing so, and Liu Xie stated that Buddhists practiced filial piety by sharing merit with their departed relatives. Buddhist monks were also criticized for not expressing their respect to the Chinese emperor by prostrating and other devotion, which in Confucianism was associated with the virtue of filial piety. Huiyuan (334–416) responded that although monks did not express such piety, they did pay homage in heart and mind; moreover, their teaching of morality and virtue to the public helped support imperial rule. (Full article...)
Born in a rural part of the Russian Empire (now Belarus), to a Jewish family, Borodin joined the General Jewish Labour Bund at age sixteen, and then the Bolsheviks in 1903. After being arrested for participating in revolutionary activities, Borodin fled to America, attended Valparaiso University, started a family, and later established an English school for Russian Jewish immigrants in Chicago. Upon the success of the October Revolution in 1917, Borodin returned to Russia, and served in various capacities in the new Soviet government. From 1919, he served as an agent of the Comintern, travelling to various countries to spread the Bolshevik revolutionary cause. In 1923, Vladimir Lenin picked Borodin to lead a Comintern mission to China, where he was tasked with aiding Sun Yat-sen and his Kuomintang. Following Sun's death, Borodin assisted in the planning of the Northern Expedition, and later became an integral backer of the KMT leftist government in Wuhan. (Full article...)
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A column of the US 1st Marine Division moves through Chinese lines during its breakout from the Chosin Reservoir with a M46 Patton medium tank.
The Battle of Chosin Reservoir, also known as the Chosin Reservoir Campaign or the Battle of Lake Changjin (Korean: 장진호 전투; Hanja: 長津湖戰鬪; RR: Jangjinho jeontu; MR: Changjinho chŏnt'u), was an important battle in the Korean War. The name "Chosin" is derived from the Japanese pronunciation "Chōshin", instead of the Korean pronunciation.
The battle took place about a month after the People's Republic of China entered the conflict and sent the People's Volunteer Army (PVA) 9th Corps to infiltrate the northeastern part of North Korea. On 27 November 1950, the Chinese force surprised the US X Corps commanded by Major General Edward Almond in the Chosin Reservoir area. A brutal 17-day battle in freezing weather soon followed. Between 27 November and 13 December, 30,000 United Nations Command troops, later nicknamed "The Chosin Few", under the field command of Major General Oliver P. Smith were encircled and attacked by about 120,000 Chinese troops under the command of Song Shilun, who had been ordered by Mao Zedong to destroy the UN forces. (Full article...)
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The Han dynasty in 2 CE (brown), with military garrisons (yellow dot), dependent states (green dot), and tributary vassal states (orange dot) as far as the Tarim Basin in the western part of Central Asia. The Han dynasty (201 BCE – 220 CE) was the second imperial dynasty of China. It followed the Qin dynasty, which had unified the Warring States of China by conquest. It was founded by Liu Bang (Emperor Gaozu). The dynasty is divided into two periods: the Western Han (202 BCE – 9 CE) and the Eastern Han (25–220 CE), interrupted briefly by the Xin dynasty (9–23 CE) of Wang Mang. These appellations are derived from the locations of the capital cities Chang'an and Luoyang, respectively. The third and final capital of the dynasty was Xuchang, where the court moved in 196 CE during a period of political turmoil and civil war.
Chun Afong (Chinese: 陳芳; pinyin: Chén Fāng; c. 1825 – September 25, 1906) was a Chinese businessman and philanthropist who settled in the Hawaiian Kingdom during the 19th century and built a business empire in Hawaii, Macau and Hong Kong. He immigrated to Hawaii from Guangdong in 1849 and adopted the surname Afong after the diminutive form of his Cantonese given name, Ah Fong.
Afong started off working for his uncle's retail store in Honolulu and later became the co-owner of a chain of stores selling Oriental novelties. In due time, he made a fortune investing in retail, shipping, opium, sugar and coffeeplantations, eventually becoming the first Chinese millionaire on Hawaii. In 1856, Afong helped organize a ball in honor of the wedding of King Kamehameha IV and Queen Emma that helped to solidify the Chinese community's position in Honolulu. He briefly served as the commercial agent and diplomatic consul to the Hawaiian Kingdom and was a member of King Kalākaua's Privy Council. (Full article...)
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Chen participated in a boxing match in 2022
Chen Qiushi (born 19 September 1985), also known as Steven Chen, is a Chinese lawyer, activist, and citizen journalist who covered the 2019–20 Hong Kong protests and the COVID-19 pandemic which included criticism of the government response. He went missing on 6 February 2020 after reporting on the COVID-19 outbreak in Wuhan. The Chinese government reportedly informed Chen's family and friends that he had been detained for the purpose of COVID-19 quarantine. Critics, including media freedom groups, have expressed skepticism about government motives, and have unsuccessfully called on the government to allow outside contact with Chen.
Chen re-emerged in September 2021, but provided no explanation of the circumstances of his disappearance. (Full article...)
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Laozi, one of the most important gods in Lingbao Daoism The Lingbao School (simplified Chinese: 灵宝派; traditional Chinese: 靈寶派; pinyin: Líng Bǎo Pài), also known as the School of the Sacred Jewel or the School of Numinous Treasure, was an important Daoist school that emerged in China in between the Jin dynasty and the Liu Song dynasty in the early fifth century CE. It lasted for about two hundred years until it was absorbed into the Shangqing and Zhengyi currents during the Tang dynasty. The Lingbao School is a synthesis of religious ideas based on Shangqing texts, the rituals of the Celestial Masters, and Buddhist practices.
The Lingbao School borrowed many concepts from Buddhism, including the concept of reincarnation, and also some cosmological elements. Although reincarnation was an important concept in the Lingbao School, the earlier Daoist belief in attaining immortality remained. The school's pantheon is similar to Shangqing and Celestial Master Daoism, with one of its most important gods being the deified form of Laozi. Other gods also existed, some of whom were in charge of preparing spirits for reincarnation. Lingbao ritual was initially in individual practice, but later went through a transformation that put more emphasis on collective rites. The most important scripture in the Lingbao School is known as the Five Talismans (Wufujing), which was compiled by Ge Chaofu and based on Ge Hong's earlier alchemical works. (Full article...)
Hoping to repeat the success of the earlier First Phase Campaign, the PVA 13th Army first launched a series of surprise attacks along the Ch'ongch'on River Valley on the night of November 25, 1950, at the western half of the Second Phase Campaign (Chinese: 第二次战役西线; pinyin: Dì'èrcì Zhànyì Xīxiàn), effectively destroying the Eighth United States Army's right flank, while allowing PVA forces to move rapidly into UN rear areas. In the subsequent battles and withdrawals from November 26 to December 2, 1950, although the Eighth Army managed to avoid being surrounded by PVA forces, the PVA 8th Army were still able to inflict heavy losses onto the retreating UN forces, which had lost all cohesion. In the aftermath of the battle, the Eighth Army's heavy losses forced all UN forces to retreat from North Korea to the 38th Parallel. (Full article...)
The number of speakers across all its dialects may be 5–6 million, including the vast majority of the residents of Mongolia and many of the ethnic Mongol residents of the Inner Mongolia of China. In Mongolia, Khalkha Mongolian is predominant, and is currently written in both Cyrillic and the traditional Mongolian script. In Inner Mongolia, it is dialectally more diverse and written in the traditional Mongolian script. However, Mongols in both countries often use the Latin script for convenience on the Internet. (Full article...)
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Li He, as depicted in the 1743 book Wanxiaotang Zhuzhuang Huazhuan (晩笑堂竹荘畫傳).
Typhoon June, also known in the Philippines as Typhoon Maring, was the first of two tropical cyclones to affect the Philippines in a one-week time span in August 1984. June originated from an area of convection that was first witnessed on August 15 in the Philippine Sea. Despite initial wind shear, the area intensified into a tropical storm three days later as it tracked westward. After tracking over Luzon, June entered the South China Sea on August 30. Despite remaining poorly organized, June re-intensified over land, and it was estimated to have briefly attained typhoon intensity before striking China, just to the east of Hong Kong, at maximum intensity, although its remnants were last noticed on September 3.
Affecting the country four days before Typhoon Ike would devastate the Philippines, June brought widespread damage to the nation. Throughout the Philippines, 470,962 people sought shelter. A total of 671 homes were destroyed, with 6,341 others damaged. A total of 121 people were killed, while 17 other individuals were reportedly missing, and 26 other people were wounded. Damage totaled $24.2 million (1984 USD, including $15.24 million in agriculture and $8.82 million in infrastructure). Following June and Ike, several major countries provided cash and other goods. In all, $7.5 million worth of aid was donated to the nation in relief. In addition to effects on the Philippines, 1,500 homes were damaged and 66,000 ha (160,000 acres) of farmland were flooded in the Guangdong province. (Full article...)
Image 4Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 32Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 33Flag of the Republic of China from 1912 to 1928 (from History of China)
Image 34Flag of the Republic of China from 1928 to now (from History of China)
Image 41Hair Ornament, China, c. 19th century (from Chinese culture)
Image 42Jichang Garden in Wuxi (1506–1521), built during the Ming dynasty, is an exemplary work of South Chinese style garden. (from Chinese culture)
Image 43Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 44Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
China orders its airlines to stop taking deliveries of jets from American aviation company Boeing and to suspend purchases of aircraft-related equipment and parts from U.S. companies. (NDTV)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).